Kling 3.0プロンプト生成

Widescreen 16:9, one continuous 5-second take with no cuts. A sprinter in a red tank top explodes out of the blocks and races down the track, on an empty athletics track at sunset. Wide shot on a 35mm lens at a few metres: the subject and the room both readable, little distortion. One move only: a lateral track that keeps pace with the subject, passing a foreground shape. The subject and everything around it keep their shape and look as the camera moves. Light: low golden-hour sun from behind the subject, the camera shooting into the light from the shadow side, a rim of light on the edges; the exposure holds the subject; no fill from the camera side. Photoreal, shot on film: natural colour, gentle grain, true skin. Sound: the scene's own ambience, no music. No text, no captions, no watermark.

Vertical 9:16, one continuous 10-second take with no cuts. A young chef in a white jacket slides a bowl of ramen across the counter and smiles, in a narrow ramen bar at night, and says in Japanese, "どうぞ、熱いうちに召し上がってください。" Medium shot on a 50mm lens at a couple of metres: natural proportions, the background softening behind the subject. One move only: a slow push-in that ends close on the subject. The subject and everything around it keep their shape and look as the camera moves. Light: night, lit only by the practical lights in the scene from camera-left, so the subject's camera-right side falls to shadow; the exposure holds the subject; no fill from the camera side. Photoreal, shot on film: natural colour, gentle grain, true skin. Sound: the line in Japanese, the lips in time with every word, over the scene's own ambience. No text, no captions, no watermark.

Cinematic 21:9, one continuous 10-second take with no cuts. A vintage red sports car idles on a wet cobbled street, its headlights cutting through the drizzle, in an old town square at night. Medium shot on a 35mm lens at a few metres: the subject and the room both readable, little distortion. One move only: a slow orbit in checkpoints, front, then the far side, then back. The subject and everything around it keep their shape and look as the camera moves. Light: night, lit only by the practical lights in the scene from behind the subject, the camera shooting into the light from the shadow side, a rim of light on the edges; the exposure holds the subject; no fill from the camera side. Photoreal, shot on film: natural colour, gentle grain, true skin. Sound: the scene's own ambience, no music. No text, no captions, no watermark.