AI動画プロンプト生成

An old flower seller in a waxed jacket wraps a bunch of tulips in brown paper and hands it across the stall, at a street market on a wet evening. Light: night, lit only by the practical lights in the scene from camera-left, so the subject's camera-right side falls to shadow; the exposure holds the subject; no fill from the camera side. Medium shot on a 50mm lens at a couple of metres: natural proportions, the background softening behind the subject. One move only: a slow push-in that ends close on the subject. Photoreal, shot on film: natural colour, gentle grain, true skin. Sound: ambience and one spoken line, "Last bunch of the day. Mind the rain." An 8-second clip, 16:9. No text, no captions, no watermark.

Widescreen 16:9, one 8-second shot. An old flower seller in a waxed jacket wraps a bunch of tulips in brown paper and hands it across the stall, at a street market on a wet evening, and says, "Last bunch of the day. Mind the rain." Sound: the line clear over the scene's own ambience, every sound landing in step with the action; no music. Light: night, lit only by the practical lights in the scene from camera-left, so the subject's camera-right side falls to shadow; the exposure holds the subject; no fill from the camera side. Medium shot on a 50mm lens at a couple of metres: natural proportions, the background softening behind the subject. One move only: a slow push-in that ends close on the subject. Photoreal, shot on film: natural colour, gentle grain, true skin. No text, no captions, no watermark.

Widescreen 16:9, one continuous 15-second take with no cuts. An old flower seller in a waxed jacket wraps a bunch of tulips in brown paper and hands it across the stall, at a street market on a wet evening. Light: night, lit only by the practical lights in the scene from camera-left, so the subject's camera-right side falls to shadow; the exposure holds the subject; no fill from the camera side. Medium shot on a 50mm lens at a couple of metres: natural proportions, the background softening behind the subject. One move only: a slow push-in that ends close on the subject. Photoreal, shot on film: natural colour, gentle grain, true skin. Sound: ambience and one spoken line, "Last bunch of the day. Mind the rain." No text, no captions, no watermark.

Widescreen 16:9, one continuous 10-second take with no cuts. An old flower seller in a waxed jacket wraps a bunch of tulips in brown paper and hands it across the stall, at a street market on a wet evening, and says in English, "Last bunch of the day. Mind the rain." Medium shot on a 50mm lens at a couple of metres: natural proportions, the background softening behind the subject. One move only: a slow push-in that ends close on the subject. The subject and everything around it keep their shape and look as the camera moves. Light: night, lit only by the practical lights in the scene from camera-left, so the subject's camera-right side falls to shadow; the exposure holds the subject; no fill from the camera side. Photoreal, shot on film: natural colour, gentle grain, true skin. Sound: the line in English, the lips in time with every word, over the scene's own ambience. No text, no captions, no watermark.

A glass bottle of olive oil turns slowly on a stone plinth as a single drop runs down its side, on a dark kitchen counter. Light: a single soft studio key light from above, short shadows falling straight down beneath every form; the exposure holds the subject; no fill from the camera side. Extreme close-up on an 85mm lens from six metres: the background compressed and soft, only the subject sharp. One move only: a slow push-in that ends close on the subject. Photoreal, shot on film: natural colour, gentle grain, true skin. Sound: a quiet music bed under the ambience, no dialogue. A 5-second clip, 1:1. No text, no captions, no watermark.

A cyclist in a red jacket weaves through slow traffic and glances back once, on a grey city street after rain. Light: soft overcast daylight from above, short shadows falling straight down beneath every form; the exposure holds the subject; no fill from the camera side. Medium shot on a 35mm lens at a few metres: the subject and the room both readable, little distortion. Handheld, following the subject: the operator's breath and small corrections, never random shake. Documentary register: available light, unposed, nothing staged for the lens. Sound: the scene's own ambience, no music. A 10-second clip, 9:16. No text, no captions, no watermark.