Seedance 2.5プロンプト生成

Widescreen 16:9, one continuous 30-second take with no cuts. Two friends in raincoats share one umbrella at a night bus stop, laughing as the bus finally pulls in, on a rainy city street, neon reflected in the puddles. Light: night, lit only by the practical lights in the scene from behind the subject, the camera shooting into the light from the shadow side, a rim of light on the edges; the exposure holds the subject; no fill from the camera side. Medium shot on a 35mm lens at a few metres: the subject and the room both readable, little distortion. The camera is locked off; nothing moves but the scene. Photoreal, shot on film: natural colour, gentle grain, true skin. Sound: the scene's own ambience, no music. No text, no captions, no watermark.

Vertical 9:16, one 15-second clip in three linked shots. A baker in a flour-dusted apron pulls a tray of loaves from the oven, breaks one open and smiles at the steam, in a small bakery before dawn. Light: night, lit only by the practical lights in the scene from camera-left, so the subject's camera-right side falls to shadow; the exposure holds the subject; no fill from the camera side. Shot 1 (0–5 s): wide shot, the place and the subject in it. Shot 2 (5–10 s): medium shot on a 50mm lens at a couple of metres: natural proportions, the background softening behind the subject. One move only: a slow push-in that ends close on the subject. Shot 3 (10–15 s): close-up on the subject as the moment lands. The same subject, place and light in every shot. Photoreal, shot on film: natural colour, gentle grain, true skin. Sound: the scene's own ambience, no music. No text, no captions, no watermark.

Cinematic 21:9, one continuous 10-second take with no cuts. An old fisherman in a yellow oilskin mends a net on the harbour wall and calls to his grandson, in a small fishing port at dawn. Light: low golden-hour sun from behind the subject, the camera shooting into the light from the shadow side, a rim of light on the edges; the exposure holds the subject; no fill from the camera side. Close-up on an 85mm lens from six metres: the background compressed and soft, only the subject sharp. One move only: a slow push-in that ends close on the subject. Photoreal, shot on film: natural colour, gentle grain, true skin. Sound: ambience and one spoken line, "La marea está cambiando, ven." No text, no captions, no watermark.